The most non-standard painting styles

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The number of styles and trends in the visual arts has no limits. They appeared at different times and often characterized an era.
Each historical period is characterized by its own worldview, which consists of many positions: aesthetics, philosophy, religion, political ideas, scientific ideas and other factors.
As a rule, styles in art do not have clear boundaries; they smoothly pass one into another. As a rule, from one art style another always appeared, undergoing changes in connection with time. Many genres coexist at the same time and therefore there are no “pure styles” at all.
OneNews presents you with a list of the most non-standard painting styles, according to the agency.
Cubism is an avant-garde trend that originates in France at the beginning of the 20th century. The father of this trend was Pablo Picasso. Image with simple geometric shapes is about cubism. Cubism is based on the artist’s desire to portray a voluminous object with simple recombined objects for frequent broken objects in an abstract form and to separate the “flaps” of the object from each other.
Representatives of Cubism consider Fernand Leger, Robert Delaunay, Juan Gris and others.

 
Primitivism is, in simple words, the very picture that we painted in childhood. Intentional simplification of the image, this term denotes the naive art of artists who have not received a special education, but are involved in the general art process of the XIX - early. XX century. A peculiar childishness, primitiveness in forms and simplicity in details. But even such a simple image does not imply the simplicity of the meaning of the picture.
Ekaterina Medvedeva, Grandma Moses, Pavel Leonov, Elena Volkova drew inspiration from primitivism.

 
Metaphysical painting is a trend in Italian art that arose in 1916. This style of fine art takes the picture beyond the framework of ordinary logic, it is characterized by a striking contrast between the realistically accurately depicted object and the strange atmosphere in which it is placed. In paintings with externally unrelated objects, the artists tried to find the line between the living and nonliving world, so in their paintings the living seems to be inanimate, and inanimate objects live their own lives. .
Its creators were painters Giorgio De Chirico, Carlo Carra, Giorgio Morandi. Subsequently, Morandi and Carra.

 
Op art is a trend in the art of the 20th century, widely used in the 1960s. These are the same pictures from which it is impossible to break away. The main weapons of op-art artists were various visual illusions and spatial figures. The effects of spatial displacement, merging, and soaring of the forms were achieved by depicting the repetition of forms, sharp color contrasts, the intersection of spiral and lattice figures, curving lines. Op art often used installations of changing light.
The most striking representative of this trend is Victor Vasarelli.

 
Metarealism is a trend that arose initially in Russian poetry in the 70s and early 90s. XX century., Which arose to change the socio-empirical reality. If you do not go into details, then this is an image that in one image conveys the life of all worlds. The metabolic image is a way of interconnecting all realities together, combining them into one. This type of art depicts at the same time the life of parallel universes, the visualization of the invisible parts of different universes and the desire to combine them in one picture.
They consider Viktor Krivulin, Olga Sedakova, Alexei Parshikov, Ivan Zhdanov to be the most striking materialisticists.

 
Kinetic art is a trend in modern art associated with the image of moving objects, which is based on the idea of ​​the movement of form. Kinetism is based on the notion that with the help of light and movement you can create a work of art. Objects are moving installations that produce interesting combinations of light and shadow when moving. By the dynamics of an object is meant not just its physical movement, but any change, transformation, in a word, any form of the “life” of the work.
In this direction they wrote - Theo Jansen, Lin Emery, Yaakov Agam, Jesus Park, Rafael Soto.

 

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